UK Weather Today. Mild for many with some rain. Windy in the north. Exceptionally mild and rather cloudy for many with occasional rain and drizzle. More persistent rain in the north-west edging south-eastwards through the day. Very windy in the north, and turning colder here, with showers becoming wintry by the evening.
AHappy Christmas and a big thank you to everyone from fotoVUE and if those showers don’t turn wintery later, below is plenty of the white stuff from all the fotoVUE authors and photographers, and here’s to more fotoVUE photo-location guidebooks in 2017 and beyond.
Click on the images to view them full size and slide through them.
Lizzie Shepherd
Lizzie is the co-author, with Oliver Wright, of the forthcoming photo-location guidebook, Photographing The Yorkshire Dales. She is a professional photographer and lives in North Yorkshire. More about Lizzie at www.lizzieshepherd.com
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Icicles, Abisko. Nikon D800e, Nikon 70-200mm f4 at 122mm, ISO 800, 1/500s at f/7.1, handheld. Multiple exposure. March. © Lizzie Shepherd
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Eshton copse, Yorkshire Dales. Nikon D800e, Zeiss 35mm f2, ISO 100, 1/80s at f/9, tripod. Stitched pano. January. © Lizzie Shepherd
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Wensleydale Quadtych. Fuji X-T10, Fuji 18-55mm, ISO 200, various exposures at f/7.1, handheld. January. © Lizzie Shepherd
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Black church pano, Budir. Sony A7Rii, Sony FE 70-300mm at 82mm, ISO 100, a/4s at f/11, tripod. Stitched pano. November. © Lizzie Shepherd
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Arctic birch tango, Abisko. Fuji X-E2, Fuji 18-55mm at 20.5mm, ISO 200, 1/280s at f/7.1, handheld. March. © Lizzie Shepherd
George Johnson
George describes himself as a dedicated hobbyist and amateur landscape photographer, but one who has had much success in the Landscape Photographer of the Year competition. He is the author and photographer of the forthcoming photo-location guidebook, Photographing London. More about George at www.syxaxis.com
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roxbourne Woods, Herts, Canon 5D Mark II, EF24-70mm, ISO50, 24mm, 1/6s at f/16. Tripod. © George Johnson
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Hertford Marshes, Herts, Canon 5D Mark II, EF24-70mm, ISO100, 24mm, 1/4s at f/16, Tripod. © George Johnson
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Ongar, Essex, Canon 550D, Sigma 10-20mm, ISO100, 13mm, 1/100s at f/11,. Tripod. © George Johnson
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Hertford Marshes, Herts, Canon 5D Mark II, EF17-40mm, ISO100, 17mm, 1/10s at f/14. Tripod. © George Johnson
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House on Lord Street, Herts, Canon 5D Mark II, EF24-70mm, ISO50, 27mm, 1/25s at f/11. Tripod. © George Johnson
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Thaxted Windmill IV. © George Johnson
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Church in Ware, Herts, Canon 5D Mark II, EF 24-70mm, ISO50, 24mm, 0.3s at f/8. Tripod. © George Johnson
Chris Gilbert
Chris is a co-author of the forthcoming fotoVUE photo-location guidebook, Photographing The Peak District. He lives in Cressbrook, right at the very heart of the Peak District where he is a full-time professional photographer. Find out more about Chris at www.ravenseye.plus.com/ravenseye/
Justin Minns
Justin is a professional photographer specialising in capturing the atmosphere of the East Anglian landscape hence the perfect photographer for the forthcoming, Photographing East Anglia. See more of Justin’s work at www.justinminns.co.uk
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A blanket of snow covering the East Anglian landscape. Canon 5D MkII, Canon 17-40mm f/4 at 26mm, ISO 200, 1/160s at f/8. Handheld. © Justin Minns
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The view across the Stour valley to Dedham church. Canon 5D MkII, Canon 70-200mm f/4 at 163mm, ISO 100, 1/20s at f/11, tripod. © Justin Minns
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Willow trees on the banks of the River Stour at Flatford. Canon 5D MkII, Canon 50mm f/1.4 at 50mm, ISO 400, 1/1250s at f/4. Handheld. © Justin Minns
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A row of trees stand out against the white Suffolk landscape. Canon 5D MkII, Canon 17-40mm f/4 at 40mm, ISO 100, 1/50s at f/8, Handheld. © Justin Minns
Carsten Krieger
Carsten lives on the west coast of Ireland and is the author and photographer of several books to the region and is working on two fotoVUE guidebooks to the West of Ireland and the Wild Atlantic Way titled, Photographing Ireland’s South West and Photographing Ireland’s North West. There is more about Carsten at www.carstenkrieger.co.uk
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Upper shore detail at the Shannon Estuary, Co. Clare, Ireland. Sony A7R II, Sony 90mm/2.8 Macro, ISO 100, 0.3s at f/18, Tripod. November. © Carsten Krieger.
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Christmas Lights, Kilkee, Co. Clare, Ireland. Sony A7R II, Canon TS_E 24mm/3.5 II, ISO 100, 8s at f/16, Tripod. December. © Carsten Krieger.
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The Disappearing Lake, Co. Antrim, Northern Ireland. Canon EOS 5D III, Canon TS-E 24mm/3.5 II, ISO 100, 1/250s at f/14, Tripod, Stitched from 3 horizontal frames. March. © Carsten Krieger.
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Old Cottage and Trees (since the image was made the derilict cottage has been replaced by a modern two-storey house), Co. Antrim, Northern Ireland. Canon EOS 5D III, Canon TS-E 24mm/3.5 II, ISO 400, 1/80s at f/14, Tripod. March. © Carsten Krieger.
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After the Blizzard, Co. Antrim, Northern Ireland. Canon EOS 5D III, Canon TS-E 24mm/3.5 II, ISO 100, 1/15s at f/8, Tripod. March. © Carsten Krieger.
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The Christmas Boat, Kinvara, Co. Galway, Ireland. Nikon D750, Nikon 24-120/4, ISO 800, 1s at f/8, Tripod. December. © Carsten Krieger.
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Hoar Frost, Lough Bunny, The Burren, Ireland. Canon EOS 1Ds III, Canon TS-E 45mm/2.8, ISO 100, 0.3s at f/22, Tripod. December. © Carsten Krieger.
Adam Burton
Adam, a professional photographer based in Devon, is the author and photographer of much-acclaimed Photographing Cornwall and Devon that was published in August 2016. Find out more about Adam at www.adamburtonphotography.com
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Snowy Woodland, Morchard Bishop, Devon. Canon 1Ds Mk III, Canon 24-70 at 64mm, ISO 100, 1.6s at f/22, December. Tripod. ©Adam Burton
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Snow covered Exmoor lane. Canon 1Ds Mk III, Canon 24-70mm at 60mm, ISO 100, 0.6 s at f/16, January. ©Adam Burton
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Colourful sunrise at Belstone Tor, Dartmoor. Nikon D800E, Nikon 17-35mm at 17mm, ISO 100, 0.6s at f/13, January. Tripod. © Adam Burton.
James Rushforth
James is a climber, skier and photographer, he is also the author of several guidebooks to the Dolomites and is just finishing up his fotoVUE photo-location guidebook, Photographing The Dolomites. See more of James’ work at www.jamesrushforth.com
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Last light on the face of Santa Croce at Sasso dla Crusc. Nikon D810, 16-35mm at 35mm, ISO 100, 1/80s at f/8. February. © James Rushforth.
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A climber on the first pitch of La Spada nella Roccia. Nikon D810, 80-400mm at 260mm, ISO 800, 1/200s at f/7.1. March. © James Rushforth.
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First light on the autumn larches at Croda da Lago. Nikon D810, 16-35mm at 35mm, ISO 100, 15s at F10, 9 stop ND filter, tripod. October. © James Rushforth.
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A story of three – ski tourers at the Tre Cime. Nikon D610, 14-24mm at 18mm, ISO 100, 1/640s at f/7.1. March. © James Rushforth.
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Francesco on the third pitch of ‘La Spada di Damocles’. Nikon D810, 14-24mm at 14mm, ISO100, 1/320s at f/9. February. © James Rushforth.
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Making careful turns descending Canale Sass de Forcia off Sass Pordoi. Nikon D810, 14-24mm at 14mm, ISO 100, 1/500s at f/8. April. © James Rushforth.
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The world keeps spinning, Tre Cime south faces. Nikon D610, 14-24mm at 14mm, ISO 400, 30s at f/2.8, tripod, 80 images stacked. January. © James Rushforth.
Drew Buckley
Drew is a professional landscape and wildlife photographer based in Pembrokeshire. His fotoVUE guidebook, Photographing South Wales due out in 2017, covers Pembrokshire, Brecon Beacons, Carmathenshire, Gower, Ceredigion, the Glamorgan Coast, Powys and South East Wales. Find out more about Drew at www.drewbuckleyphotography.com
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Carew Castle Frosty Morning. Canon 5D Mark II, Canon EF 17-40mm at 17mm, ISO 100, 1/13s at f/13. Tripod, ND Grads. January © Drew Buckley
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Early Risers. Brecon Beacons, Wales. Canon 5D Mark III, Canon EF 24-70mm f/13 at 70mm, ISO 100, 1/125 sec. ND Grads. January © Drew Buckley
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Foel Eryr Horse. Canon 5D Mark III, Canon EF 24-70mm at 24mm, ISO 400, 1/80s at f/13 . ND Grads. February © Drew Buckley
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Picws Du – Canon 5D Mark III, Canon EF 24-70mm at 70mm, ISO 50, 30s at f/18. Tripod, ND Grads + 6 stop ND. February © Drew Buckley
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Stob Dearg, Scotland. Canon 5D Mark III, Canon EF 24-70mm at 24mm, ISO 200, 1/8 s at f/16 .Tripod, ND Grads + Polariser. January © Drew Buckley
Anita Nicholson
Anita is a Northumberland based photographer with a love for the great outdoors and for capturing images that convey a sense of place and wonder at nature’s beauty. Anita is making much progress on her fotoVUE guidebook, Photographing Northumberland. Find out more about Anita at www.anitanicholsonphotography.com
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On a Cold and Frosty Morning, Blyth Pier in January. Canon EOS 7D, Sigma 10-20mm at 10mm, ISO 100, 30s at f/9, Tripod. © Anita Nicholson.
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Build a Snowman, Ingram Valley in February. Canon 5D MK II, Canon 17-40mm at 17mm, ISO 50, 1/40s at f/11, Tripod. © Anita Nicholson.
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Ingram Valley. February. Canon 5D MKII, Canon 17-40mm at 17mm, ISO 500, 1/160s at f/11, Handheld. © Anita Nicholson.
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Joe Cornish’s fence, St Mary’s Lighthouse, St Mary’s Island, just north of Whitley Bay on the coast of North East England. January. Canon EOS 7D, Sigma 10-20mm at 10mm, ISO 100, 1.3s at f/11, Tripod. © Anita Nicholson
Andrew Marshall
Andrew Marshall is the author and photographer of the photo-location guidebook, Photographing Wildlife in the UK that we published in March this year. After three plus years of hard work photographing and writing, Andrew is still out there searching for more wildlife and running wildlife photography courses. His website is www.gowildlandscapesphoto.com
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Three winter ptarmigan super camouflaged in a white out on Cairngorm mountain. Nikon D800E, Nikkor 500mm f/4 + 1.4 converter at 700mm, ISO 1800, 1/1250s at f/9, Tripod. March. © Andrew Marshall.
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A mountain hare skips across a snow field in the Cairngorms. Nikon D800E, Nikkor 500mm f/4 + 1.4 converter at 700mm, ISO 100, 1/1000s at f/6.3, Tripod. March. © Andrew Marshall.
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Mountain Hare, Cairngorms. Nikon D4, Nikkor 500mm f/4 and a 1.4 convertor at 700mm, ISO 180, 1/1000s at f/8 Handheld. March. © Andrew Marshall.
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Red deer stag in winter forest. Nikon D4 with a Nikkor 500mm f/4 lens, ISO 5000, 1/500sec at f/5.6. © Andrew Marshall
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Mountain hare close up on the Cairngorm slopes. Nikon D4 with a Nikkor 500mm f/4 lens and a 1.4 teleconverter at 700mm, ISO 200, 1/1250sec at f/9. © Andrew Marshall
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Displaying male ptarmigan with his hen in the background: Note the fabulous feathery feet. Nikon D4, 300mm + 2 x converter at 600mm, ISO 250, 1/1250 sec at f/8. © Andrew Marshall
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A female ptarmigan in winter plumage stand out against the granite boulders. Nikon D800E with a Nikkor 300mm f/2.8 lens at 300mm, ISO 250, 1/1000sec at f/8. © Andrew Marshall
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Simon Kitchin
Simon is the author and photographer behind Photographing North Wales, that proved so popular we had to do a second print run in its first year. Based in North Wales Simon successfully manages a full-time job and his photography business. Find out more about Simon at www.landscapephotographyuk.com
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An icy approach to Tryfan and Cwm Idwal
Nikon D800, Nikon 16-35 f/4 at 16mm, ISO200, 1/8s at f/16.Tripod. December. © Simon Kitchin
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Snow-capped Snowdonia across the Menai Strait
Pentax K20d, Pentax 17-70 at 43mm, ISO320, 1/60s at f/11. Tripod. January. © Simon Kitchin
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Wales’s highest peak mirrored in Llynnau Mymbyr
Pentax K5, Pentax 17-70 at 43mm, ISO80, 1/6s at f/11. Tripod. January. © Simon Kitchin
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Sub zero in Snowdonia
Pentax K5, Pentax 17-70 at 43mm, ISO80, 1/5s at f/11 Tripod. January. © Simon Kitchin
Mark Bauer
Mark lives in Dorset and is the author and photographer of his recently published, Photographing Dorset that we managed to get out for Christmas. Mark is full-time professional photographer and you can learn more about him at www.markbauerphotography.com
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Near Tarrant Monkton, Dorset. Canon 5DII, Canon 24-105mm f/4L at 105mm, ISO 100, 1/20 sec at f/11, Tripod, polariser, © Mark Bauer
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Vestrahorn, Stokksnes Peninsula, Iceland. Canon 5Ds, Canon 16-25mm f/4L at 25mm, ISO 100, 1/8 sec at f/13, Tripod, LEE 0.9 medium grad ,© Mark Bauer
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Vestrahorn, Stokksnes Peninsula, Iceland. Canon 5Ds, Canon 14mm f/2.8L, ISO 100, 1/15 sec at f/11, Tripod, © Mark Bauer
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Langjoukull, Iceland. Canon 5DII, 24-105mm f/4L at 80mm, ISO 100, 1/5 sec at f/16, © Mark Bauer
Sarah Howard
Sarah is working on the fotoVUE guidebook, Photographing The Cotswolds as well as running her photo-tuition company Image Seen. Find out more about Sarah at www.sarahhowardphotography.com
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Arlington Row, Bibury, Nikon D700, Nikkor 24- 120mm at 92mm, ISO 200, 1/30s at f/13,. Tripod. February. © Sarah Howard
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Broadway Tower, Cotswolds. Nikon D700, 28-105mm Nikkor at 44mm, 1s at f/16. Tripod. February. © Sarah Howard
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Dark Hedges, Country Antrim, Northern Ireland. Nikon D810, 70 – 300 Nikkor at 185 mm, 1/30s at f/13. Tripod. January. © Sarah Howard
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Frost on pine needles. Blenheim Park, Oxfordshire. Nikon D700, Nikkor 28-105 at 60mm, 1/50s at f/8. Tripod. January. © Sarah Howard
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Hoare Frost, Cotswolds. Nikon D700, Nikkor, 28- 105 at 38mm, 1/16s at f/13. Tripod. January. © Sarah Howard
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Suspended. Westonbirt Arboretum. Nikon D700, Nikkor 28-105 at 48mm, 1/30s at f/11. Tripod. January © Sarah Howard
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Texture, Westonbirt Arboretum. Nikon D700, Nkkor 28 – 105mm at 66mm. 1/30s at f/11. Tripod January. © Sarah Howard
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Weeping Birch, Westonbirt Arboretum. Nikon D700, 28-105mm at 28mm. 1/4s at f/16 Tripod. January © Sarah Howard
Oliver Wright
Oliver is a Leeds based professional photographer who spends much time above the Arctic circle in Abisko, Sweden. He is co-author, with Lizzie Shepherd of the forthcoming, Photographing The Yorkshire Dales.Visit Oliver at www.oliverwrightphotography.com.
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Malamute Puppies in the Snow. Canon 1DX, Canon 70-300mm f/4-5.6 L at 229mm, ISO 800, 1/1250s at f/10. April 2015 © Oliver C Wright
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Lapporten the Gate to Lapland in . Canon 5DS Canon 24-70mm f/2.8 L II at 55mm, ISO 100, 0.4s at f/16 December 2015 © Oliver C Wright
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Ice and water. The river is slow freezing solid. Canon EOS 5D Mark IV with Canon EF24-70 f/2.8 II USM lens at 70mm, ISO 400, 1/13s at f/16. Tripod. October. © Oliver Wright
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Looking north on my hike at 1200m. Canon EOS 5D Mark IV with Canon EF 70-300 f/4-5.6L IS USM lens at 300mm, ISO 200, 1/500s at f/11. Handheld. October. © Oliver Wright
Nick Livesey
Nick lives for the mountains, especially the Snowdonia range in North Wales and he is completing Photographing The Snowdonia Mountains that describes mountain walks that take in the best photographic viewpoints. If you ever want to say hi to Nick, drop by the Moel Siabod Cafe in Capel Curig for a chat, a brew and look around the Soul of Snowdonia Gallery. Have a look at Nick’s Flickr gallery.
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The end of a perfect day on Elidir Fawr. Two shot stitched panorama.
Canon 6D, 24-70mm f/4 at 24mm, ISO 100, 1/8s at f/11, tripod, 0.6 and 0.9 LEE grads. January © Nick Livesey
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Pausing for breath at Bwlch y Marchlyn. Canon 6D, 24-70mm f/4 at 47mm, ISO 100, 1/100s at f/11, tripod, 0.9 LEE grad. January © Nick Livesey
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Rich evening light falls on Yr Aran with the Snowdon range beyond. Canon 6D, 24-70mm f/4 at 24mm, ISO 100, 1/10s at f/11, 0.9 LEE grad., Tripod. March. © Nick Livesey
Dougie Cunningham
Dougie is just finishing a massive task, a photo-location guidebook to Scotland from the Scottish Borders all the way north to the Shetland Isles. We’ve asked him to calculate how many miles he has traveled over the last four years whilst photographing this magnum opus – but he’s too busy to do the calculation at the moment what with attending events such as collecting the prize for winning the Classic View category of this year’s Landscape Photographer of the Year competition. Photographing Scotland will be published in the first half of 2017 meanwhile this is Dougie’s website www.leadinglines.net
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Sunrise on the Cobbler. Canon 5D mark III, 24-105mm f/4 at 28mm, ISO100, 0.3s at f/14, Tripod. © Dougie Cunningham
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Dark Lochanagar. Canon 5D Mark III, 24-105mm f/4 at 24mm, ISO200, 1/160s at f/14, Tripod.© Dougie Cunningham
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Pre-dawn inversion and the Buachaille. Canon 5D Mark III, 17-40mm f/4 at 17mm, ISO1250, 251 s at f/9, tripod. © Dougie Cunningham
Richard Fox
Richard is a Devon based photographer and veterinary pathologist and has just taken up the challenge of doing a Best Ten for our website. You can see more of Richard’s work at www.richardfoxphotography.com
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Staple Blush, Staple Tor, Dartmoor. Canon 6D, Canon EF 16-35 f/4 at 19mm (panorama), ISO 100, 1/4s at f/11, Tripod, January. © Richard Fox.
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Raw Support, East Dartmoor, February. Sony A7R MK II, Canon EF 24-70 f/4 at 27mm, ISO100, 0.4s at f/11, Tripod. February. © Richard Fox.
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Snow Maidens, Nine Maidens, Dartmoor. Canon 6D, Canon EF 16-35 f/4 at 16mm, ISO100, 1/50s at f/11, Tripod. February. © Richard Fox.
Andrew Yu
Andrew lives in Manchester and is a regular at the Peak District locations but travels far and wide each year taking landscape photographs. He authored our first Best Ten feature. His website is www.andrewyu.co.uk
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Purity of Ice, Sony A7R, Canon 70-200 f/2.8 MKII at 200mm, ISO 200 at 200m 1/320 sec at f/5.6, handheld. Feburary. © Andrew Yu
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Snow Trees, Sony A7R, Canon 70-200 f/2.8 MKII + Canon 1.4 TC MkIII at 280mm 1/320sec at f/8, handheld. January. © Andrew Yu
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The Crystal Seashell, Sony A7R, Canon 70-200 f/2.8 MKII at 145mm, ISO 50, 1/2sec at f/16, tripod. Feburary. © Andrew Yu
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Ice Jewels on the Beach, Sony A7R, Canon 24-70 f/2.8 MKII at 38mm, ISO 50, 1sec at f/16, tripod. Feburary. © Andrew Yu
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Church Blues on the Mountain Top, Sony A7R, Canon 70-200 f/2.8 MKII at 98mm, ISO 100, 2.5sec at f/11. Tripod. January. © Andrew Yu
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Church on the Mountain Top, Sony A7R, Canon 16-35mm f/4 at 16mm, ISO 100, 1/6 at f/16. Tripod. January. © Andrew Yu
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Horses in the snow, Canon 5D MKIII, Canon 70-200 f/2.8 MKII at 120mm, 1/200 at f/4, Handheld. February. © Andrew Yu
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Vestrahorn snow, Sony A7R, Canon 16-35mm f/4 at 16mm, ISO 100, 1/60sec at f/8, Handheld. February. © Andrew Yu
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Mountain Peak, Sony A7R, Canon 70-200 f/2.8 at 135mm, ISO 100, 1/60s at f/8, Handheld. February. © Andrew Yu
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Waterfall Moonlight, Sony A7R, Samyang 14mm f/2.8 at 14mm, ISO 400, 10s at f/2.8, tripod. February. © Andrew Yu
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Sunset Love, Sony A7R, Canon 70-200 f/2.8 MKII at 200mm, ISO 100, 1/200sec at f/2.8, Handheld. February. © Andrew Yu
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Icelandic Church in February, Sony A7R, Canon 24-70 F2.8 MKII at 70mm, ISO 100, 1/500s at f/11, handheld. February. © Andrew Yu
Stuart Holmes
Stuart Holmes is a director of fotoVUE, an adventurer and author and photographer of fotoVUE’s first photo-location guidebook, Photographing The Lake District.
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A skier braves windy conditions on top of Blencathra. Canon 5D MkIII, 24-105mm at 65mm, ISO 100, 1/640 sec at f/9, January. © Stuart Holmes.
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A kite skier against the setting sun on Helvellyn. Canon 60D, 18-55mm at 18mm, ISO 200, 1/200 sec at f/14, November. © Stuart Holmes.
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This photo made it into many of the National newspapers in November 2015 when the Lake District had more snow than most of the Alpine ski resorts. Blencathra. Canon 5D MkIII, 24-105mm at 28mm, ISO 100, 1/1250 sec at f/9, November. © Stuart Holmes.
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Climbers making a late ascent of Striding Edge on Helvellyn. Canon 5D MkII, 24-105mm at 45mm, ISO 200, 1/160 sec at f/9, January. © Stuart Holmes.
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Photographing whilst kite skiing, not an easy task. Canon 5D MkIII, 24-105mm at 24mm, ISO 100, 1/200 sec at f/7.1, December. © Stuart Holmes.
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Wind sculpted snow is called sastrugi. Skiers taking in the view on top of Blencathra. Canon 5D MkII, 24-105mm at 24mm, ISO 100, 1/320 sec at f/13, December. © Stuart Holmes.
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Sunset paraglider launching from Blencathra. Canon 5D MkIII, 24-105mm at 35mm, ISO 400, 1/320 sec at f/7.1, November. © Stuart Holmes.
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Exceptional conditions for ice climbing in the Lakes. This is Dove Crag on Grassmoor. Canon 20D, 24-105mm at 41mm, ISO 100, 1/100 sec at f/8, March 2005. © Stuart Holmes.
Mick Ryan
I’m a director of fotoVUE with Stuart, and a co-author with Chris Gilbert of fotoVUE’s next photo-location guidebook, Photographing The Peak District. Having just moved from the Peak to near Hebden Bridge I am now working on Photographing Hebden Bridge and Calderdale.
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Looking down on Mytholm, Caldrdale. Sony A6000, Sony E 16-55mm f/4 at 25mm, ISO 100, 1/60s at f/9.5. Handheld. November. © Mick Ryan
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Stoodley Pike. Sony A6000, Sony E 16-55mm f/4 at 25mm, ISO 100, 1/60s at f/9.5. Handheld. November © Mick Ryan
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Chatsworth © Mick Ryan
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Chatsworth © Mick Ryan
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© Mick Ryan